She is one of my favorite poets. Her images of nature reach the depths of my soul... and I knew that within the many volumes she's created, I'd surely find one or two that would transport me into a springtime state of mind.... She did not disappoint me...
It was spring
and finally I heard him
among the first leaves—
then I saw him clutching the limb
in an island of shade
with his red-brown feathers
all trim and neat for the new year.
First, I stood still
and thought of nothing.
Then I began to listen.
Then I was filled with gladness—
and that's when it happened,
when I seemed to float,
to be, myself, a wing or a tree—
and I began to understand
what the bird was saying,
and the sands in the glass
stopped
for a pure white moment
while gravity sprinkled upward
like rain, rising,
and in fact
it became difficult to tell just what it was that was singing—
it was the thrush for sure, but it seemed
not a single thrush, but himself, and all his brothers,
and also the trees around them,
as well as the gliding, long-tailed clouds
in the perfectly blue sky— all, all of them
were singing.
And, of course, yes, so it seemed,
so was I.
Such soft and solemn and perfect music doesn't last
for more than a few moments.
It's one of those magical places wise people
like to talk about.
One of the things they say about it, that is true,
is that, once you've been there,
you're there forever.
Listen, everyone has a chance.
Is it spring, is it morning?
and does your own soul need comforting?
Quick, then— open the door and fly on your heavy feet; the song
may already be drifting away.
— Mary Oliver, "Such Singing in the Wild Branches"
Owls and Other Fantasies: Poems and Essays, Beacon Press, Boston, 2003, pp. 8-9
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